Journal

map tutor journal: julia mckerrow MAP Tutor Journal We’ve got a wonderful team of tutors that run our weekly classes. We’ve invited them to share some insight into their current practice and thinking.The clash of ideologies and the freedom to create New directions in personal movement practice through Somatic integration within Dance and Choreography Over the last

2019 MAP tutor journals Virginia kennardMAP Tutor Journal We’ve got a wonderful team of tutors that run our weekly classes. We’ve invited them to share some insight into their current practice and thinking.Writing as a practice to make movement as a practice to research the body as a practice to make performance as a practice.New performance

Innocent bystanders: khye hitchcockinnocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience,

innocent bystanders:kosta bogoievskiinnocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience, performer,

innocent bystanders:Tusiata Aviainnocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience, performer,

Innocent Bystanders:Teoti Jardineinnocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience, performer,

Innocent Bystanders:Jessica Halliday innocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience, performer,

Innocent Bystanders:Audrey baldwininnocent bystanders may 02 – 19Innocent Bystanders proposed a series of experimental encounters across Ōtautahi with The Physics Room as a central axis.Blurring the boundaries between contemporary art and dance, performers Julia Harvie, Josie Archer, Kosta Bogoievski, David Huggins & curator Khye Hitchcock set up a framework from which examined dynamics between audience, performer,

MAP research exchange christchurch artist #16 – David Huggins – Blog iii As the end of the residency draws near, my focus has also shifted to the presentation of the research. I have generated choreographic material through the GPS location process as well as the filmed improvisations, but a straight forward presentation of these does

MAP Research Exchange Christchurch Artist #16 – David Huggins – Blog ii This week, I am rehearsing and choreographing more GPS dances that I described in my previous blog, from locations further afield. Although not a primary objective, I have found that the task is conducive to generating a large amount of raw material in

MAP Research Exchange Christchurch Artist #16 – David Huggins – Blog i   As I walk into the space, I’m reminded of the words by the performers in Tino Sehgal’s This Situation (2007). “Welcome to this situation!” they intoned in unison. It is a situation indeed, and I really have no idea where to start

Emma Murray Artist Residence (2016) – journal iiiI watch: the work of: Matt Claderwood and others at CocA in their current exhibition there. http://www.coca.org.nz I photograph: Pecarious balancing on the walk home along St Asaph street. And later that day see it again at the Isaac Theater, watching Royal New Zealand Ballet perform In the Middle Somewhat Elevated by William Forsythe.I

Emma Murray Artist Residence (2016) – journal iiiJulieanne Eason comes to visit Pigeon Bay Hall.http://www.julieanneason.com/We met at PAANZ in Wellington and saw the indomitable Jo Randerson together at Bats Theater.http://www.barbarian.co.nz/banging-cymbal-clanging-gongSo f****** pleased to finally see this woman perform!  ​Julianne and I discuss some ideas for the space at Sawtooth and my presentation there on the 7th

emma murray artist residence (2016) – journal i Before I even got here: Mum organized the Pigeon Bay School Hall on the Peninsula for me to work in, in preparation for the classes, performance and presentation of research Julia has set up for me through MAP. Switzerland, you should see this place! I’m starting off: With my daughter’s plaits